“Revolutionary art with ephemeral materials”

She often uses ephemeral materials, such as cardboard, fabric, and edible materials, in works that are both monumental and fragile.

In many of her actions, the artist has used the element of surprise, challenging the audience. Unlike the work of other Fluxus artists, who engaged in a generalized critique of capitalism, Minujin’s work was a voice of protest the dictatorship in Argentina.
In this workshop we will make colorful frames by building and intertwining three-dimensional lines!

PS.1: Parental consent is required for the educational staff of the Museum to take a photo of the child’s portrait.
PS. 2: Kids, wear comfortable everyday clothes and get ready to get messy — because we definitely will!