Narrative Archaeology:
Milos, a visit (5th century BC – 5th century AD)
YOUNG PATRONS
EVENTS

THE EVENT
On a route from Klima and the underground Catacombs to the Ancient Theater, the archaeological landscape of Milos reveals its narrative with the contribution of the Performing Arts.
Through walking, movement, sound, music, and new media, in this “performance of the narrative,” actors, musicians, residents of Milos, and archaeologists guided us through a visit to the silent presence of the Past as a living body, inviting spectators to take part in a journey that transcends conventional perceptions of time. Milos -with its complex geological, historical, and cultural identity- invites a stratigraphic, multi-layered reading, one that clearly reflects a kind of natural archaeology
In the site-specific work Narrative Archaeology: Milos, a Visit (5th c. BCE – 5th c. CE), a synthesis of narrative performativity and archaeology was realized — one that captures the inherent and indefinable attraction felt by the visitor of historical monuments in their search for the hidden, secret narrative of each Place.
Why do we visit an archaeological site today? What do we seek there?
Narrative Archaeology offers a unique tour/visit, constituting a dramaturgical experience of the archaeological site. It subtly guides the visitor to perceive an ineffable experience, transforming historical and archaeological knowledge into a sensory, emotional, and spiritual event—on an individual or collective level. It was developed as a research methodology on the occasion of 2023 Eleusis – European Capital of Culture and Mystery 20 Performing Arts Initiator – Narrative Archaeology at the archaeological site of Eleusis, which became the first site in Greece where this methodology was applied.
With the contribution of the Performing Arts, the project sought the hidden narrative of this specific archaeological landscape of Milos, allowing archaeological information to be transformed into an experience for the visitor.
The first part of the walking performance will continue in the form of a bilingual audio walk, which any interested person can undertake either alone or in groups.
IMAGES
CONTRIBUTORS
Conceived & Directed by
Michail Marmarinos
Sound Synthesis
Manolis Manousakis
Research, Artistic Curation & General Production Co-ordination
Isavella – Dimitra Karouti
Researchers – Performers
Maira Gravani
Giota Kouitzoglou
Andromahi Fountoulidou
with the participation of:
Chryssa Veleta
Maria Veniou
Maria Kantioti
Isavella – Dimitra Karouti
Narrators (in Greek)
Giota Kouitzoglou
Michail Marmarinos
Andromahi Fountoulidou
Narrators (in English)
Maira Gravani
Giota Kouitzoglou
Michail Marmarinos
Sound Recording & Mixing
Kostas Stylianou
Sound Assistant
Thanos Zarkalis
Recordings
Figure of Sound
Violin
Arietta Saita
Design (Objects & Prints)
Vasilis Mavrianos
Embroideries Production
Serafina Sideri
Production assistant
Vasilis Saltas
Translations
Afterwords Translations
Production
BEE DRAMAQUEENS
Acknowledgements
We would like to warmly thank Filio Louvari, Pavlos Kotronakis, Elena Fotaki, as well as the entire staff of the archaeological site of the Catacombs of Milos for their generous and selfless contribution. Narrative Archaeology: Milos, a Visit (5th cent BC – 5th cent AD) includes an excerpt from the performance Hairdressers / TRANSITION, Jiang-Xin-Bi-Xin, Imagine My Heart as Yours directed by Michail Marmarinos which premiered at the Thission Theater in 2021. Additionally included are audio excerpts from Laurie Anderson’s musical piece Walking & Falling (1982), the interpretation of the hymn O Tu Suavissima Virga by Heinali & Andriana-Yaroslava Saienko (2025) as well as Peter Gregson’s musical composition Gregson: II. Warmth (2022)
Young Patrons
250€ ετησίως