{"id":72344,"date":"2025-05-19T12:19:52","date_gmt":"2025-05-19T09:19:52","guid":{"rendered":"https:\/\/cycladic.gr\/old-2025-phantom-age-2025-2\/"},"modified":"2025-05-20T13:34:15","modified_gmt":"2025-05-20T10:34:15","slug":"old-2025-phantom-age-2025-2","status":"publish","type":"page","link":"https:\/\/cycladic.gr\/en\/old-2025-phantom-age-2025-2\/","title":{"rendered":"Old (2025), Phantom Age (2025)"},"content":{"rendered":"<section class=\"section HeaderBlock \">\n  <header>\n  <h1 class=\"title\"><i> Old (2025) <br> <\/i> <i> Phantom Age <\/i> (2025)<\/h1>    <\/header>      \n  \n  <\/section>\n\n\n\n\n<section class=\"section ContentBlock\" >\n    \n  <div class=\"main mobileFirst\">\n    <div class=\"left \">\n                        <div class=\"mainText\">\n<p>There is a mature looseness to Marlene Dumas\u2019s painting\u2014an almost alchemical economy of means\u2014that has taken center stage in her artistic repertoire in recent years. In Dumas\u2019s monumentally scaled vertical works <strong><em>Old<\/em><\/strong> (2025) and <strong><em>Phantom Age<\/em><\/strong> (2025), for example, which the artist painted specifically for this exhibition, she continues her investigation of the passage of life over time while also furthering her exploration of resistance in the body of painting. Paint is poured as well as moved by her brush along the lengths of these vertical canvases, bringing gravity, chance, and intentionality equally to bear on their outcomes. Based on a sculpture from the second century B.C. called <em>The Old Market Woman<\/em> depicting a woman dressed for a Dionysian feast, both paintings exhibit different perspectives on their shared source image as well as diverse means of production.<\/p>\n<p>While the languorous stillness and supple verticality of the body in <em>Phantom Age<\/em> was the result of the artist pouring a controlled flow of paint onto the surface of the canvas, <em>Old<\/em> resisted this technique and called upon Dumas to resort to her hand to summon its spectral countenance with a brush. In these works, the viscous substance of oil paints falls into a kind of geological timelessness while the actively aging \u201cold\u201d bodies that they form are frozen in medias res on their precipitous trajectory to the nothingness of death.<\/p>\n\n  <!-- Rich Text Editor Start -->\n  <\/div>\n\n                  <\/div>\n    <div class=\"right sticky\">\n              \n          <\/div>\n  <\/div>\n<\/section>","protected":false},"excerpt":{"rendered":"","protected":false},"author":18835,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-72344","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Old (2025), Phantom Age (2025) - Museum of Cycladic Art<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cycladic.gr\/en\/old-2025-phantom-age-2025-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Old (2025), Phantom Age (2025) - 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