{"id":88701,"date":"2026-01-28T16:01:18","date_gmt":"2026-01-28T14:01:18","guid":{"rendered":"https:\/\/cycladic.gr\/?post_type=exhibition&p=88701"},"modified":"2026-02-27T11:59:32","modified_gmt":"2026-02-27T09:59:32","slug":"dimitris-efeoglou","status":"publish","type":"exhibition","link":"https:\/\/cycladic.gr\/en\/ektheseis\/dimitris-efeoglou\/","title":{"rendered":"Dimitris Efeoglou"},"content":{"rendered":"
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Dimitris Efeoglou<\/h1>

CYCLADIC CAFE ART PROJECT<\/p>

JANUARY 28 UNTIL MARCH 2, 2026<\/p><\/header>

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\n The diptych \u201cTwo Studies for a Forest Scene\u201d captures a process of visual, physical, and conceptual movement within the forest environment. \n <\/div>\n \n \n<\/div>\n\n <\/div>\n
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The material qualities of the forest, the roughness of tree trunks, branches, foliage, textured grounds, and earthy paths, emerge or return on Efeoglou\u2019s surfaces as traces and gestures, expressing the relationship between the lived natural site and its artistic reconfiguration.<\/p>\n

His practice revolves around different forms of abstraction and is shaped through a process of continuous transformation. Layers of color are added, removed, and reintroduced across multiple levels. Through small, repetitive, and almost neurotic gestures, images are created and then erased, negating one another. As they are re-formed and altered, they move away from their original form, ultimately resulting in images that no longer represent it but instead allude to it.<\/p>\n

The trajectory from the initial stage to the completion of the work unfolds in a multisensory manner, through the interweaving of the visual production of form and the tactile action upon the material. The paper vibrates under the sculptural gesture of carving, while simultaneously being pushed to the limits of its own fragility.<\/p>\n

The pictorial surface functions as a space where the landscape is re-created through contemplation and memory. The artistic practice does not describe the place but preserves its quality of being uncharted. Each dense color, each gesture that undermines the surface of the paper, marks the beginning of a journey toward the depiction of new, altered spaces; environments that articulate imagined topographical territories.<\/p>\n\n \n <\/div>\n\n <\/div>\n <\/div>\n<\/section>\n\n

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