{"id":30208,"date":"2023-08-04T10:56:53","date_gmt":"2023-08-04T10:56:53","guid":{"rendered":"https:\/\/beta.cycladic.gr\/exhibition\/ntora-oikonomou\/"},"modified":"2023-08-29T09:22:26","modified_gmt":"2023-08-29T09:22:26","slug":"ntora-oikonomou","status":"publish","type":"exhibition","link":"https:\/\/cycladic.gr\/en\/ektheseis\/ntora-oikonomou\/","title":{"rendered":"Dora Oikonomou"},"content":{"rendered":"
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Dora Oikonomou<\/h1>

CYCLADIC CAFE ART PROJECT<\/p>

JUNE – SEPTEMBER 2020<\/p><\/header>

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Dora Oikonomou, Untitled <\/i>, 2019<\/h2> <\/header>\n\n \n
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\n Dora Economou, mostly known for her sculptural installations, presents drawings from her recent body of work titled \u201cPangrams & Slogans\u201d. A pangram (Greek: \u03c0\u03b1\u03bd \u03b3\u03c1\u03ac\u03bc\u03bc\u03b1, pan gramma, “every letter”) or holoalphabetic sentence is a sentence using every letter of a given alphabet at least once. \n <\/div>\n \n \n<\/div>\n\n <\/div>\n
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There are hundreds of them online in practically every language\u2014they are ready-made phrases, authors unknown, except in rare cases. Dora Economou selected pangrams in Greek, French and English and designed an original typeface for each language to create what you might describe as concrete poetry, or Dadaist poetry, or a form of linguistic conceptualism.<\/p>\n

Dora Economou was born in Athens (1974) where she lives and works. She is a graduate of the Athens School of Fine Arts and Pratt Institute in Brooklyn, \u039d\u03a5. Recent solo exhibitions include: \u201dPangrams & Slogans\u201d (2020) and \u201cRepresentation\u201d (2019), both at Radio Ath\u00e8nes; \u201cImbat Ambit\u201d (together with Yasemin Nur) (2019) & \u201cMountains & Valleys\u201d (2016) both at Francoise Heitsch Gallery, Munich. She is the recipient of a 2020 Fellowship at the Akiyoshidai International Art Village in Yamaguchi, Japan.<\/p>\n\n \n <\/div>\n\n <\/div>\n <\/div>\n<\/section>\n\n

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ARTWORKS<\/h2> <\/header>\n\n
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01<\/div>
Untitled, 2019\r\nMarkers on archival paper\r\n75 x 93 cm (framed)\r\nCourtesy the artist and Radio Ath\u00e8nes<\/div>
Photo: Yiannis Hatziaslanis<\/div><\/div>\n\n <\/div>\n\n
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02<\/div>
Untitled (Ce Vieux Whisky), 2019\r\nMarkers on archival paper\r\n75 x 93 cm (framed)\r\nCourtesy the artist and Radio Ath\u00e8nes<\/div>
Photo: Yiannis Hatziaslanis<\/div><\/div>\n\n <\/div>\n\n
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03<\/div>
Photo Paris Tavitian<\/div>
\u00a9Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
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04<\/div>
Photo Paris Tavitian<\/div>
\u00a9Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
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05<\/div>
Photo Paris Tavitian<\/div>
\u00a9Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
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06<\/div>
Photo Paris Tavitian<\/div>
\u00a9Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n <\/div>\n <\/div>\n
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01<\/div>
Untitled, 2019\r\nMarkers on archival paper\r\n75 x 93 cm (framed)\r\nCourtesy the artist and Radio Ath\u00e8nes<\/div>
Photo: Yiannis Hatziaslanis<\/div><\/div>\n\n <\/div>\n\n
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02<\/div>
Untitled (Ce Vieux Whisky), 2019\r\nMarkers on archival paper\r\n75 x 93 cm (framed)\r\nCourtesy the artist and Radio Ath\u00e8nes<\/div>
Photo: Yiannis Hatziaslanis<\/div><\/div>\n\n <\/div>\n\n
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03<\/div>
Photo Paris Tavitian<\/div>
\u00a9Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
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04<\/div>
Photo Paris Tavitian<\/div>
\u00a9Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
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05<\/div>
Photo Paris Tavitian<\/div>
\u00a9Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
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06<\/div>
Photo Paris Tavitian<\/div>
\u00a9Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n <\/div>\n
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