{"id":29168,"date":"2023-08-02T15:47:35","date_gmt":"2023-08-02T15:47:35","guid":{"rendered":"https:\/\/beta.cycladic.gr\/exhibition\/nana-sachini\/"},"modified":"2023-08-28T12:28:09","modified_gmt":"2023-08-28T12:28:09","slug":"nana-sachini","status":"publish","type":"exhibition","link":"https:\/\/cycladic.gr\/en\/ektheseis\/nana-sachini\/","title":{"rendered":"Nana Sachini"},"content":{"rendered":"
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Nana Sachini<\/h1>

CYCLADIC CAFE ART PROJECT<\/p>

6 APRIL – 30 MAY 2022<\/p><\/header>

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\n Nana Sachini\u2019s work is \u201csculpture\u201d in the widest sense; material appearances in space. She considers the individual media that she embraces \u2013 sculpture, installation, drawing, photography, performance \u2013 parts of the same system.\n <\/div>\n \n \n<\/div>\n\n <\/div>\n
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\u03a4he boundaries between the various media are not distinguished in each work, even when the final result bears the distinctive characteristics of one of them. Body, femininity, gender, sexuality, and identity are always present in various ways. She perceives body-form-existence-political-poetry as one single and indivisible entity, in which, if you slightly push something this creates a disturbance to the rest.<\/p>\n

Since 2007, she has been creating compositions using a flatbed scanner. Scans sometimes act as autonomous works, sometimes as quick notes of her thoughts-ideas and sometimes as integral parts in other works. She prints them in various media such as textiles, canvas, paper, plastic, aluminum. The scanner acts in various ways. As a canvas, a composition field, where compositions of objects, sculptures and materials take place on and other times as a small stage, where body parts together with the machine\u2019s light, objects and movement create performances of minimal duration. Scanning captures the moment of creation in a very direct way. A scan lasts almost as a breath (inhale-exhale), as the light passes and \u201clicks\u201d the body and objects. The way light sweeps\/caresses the surface of object-bodies highlights various tactile qualities and details of surfaces-skins (human and non-human). Familiar and uncanny, ordinary, and weird objects or\/and parts of the body as well as small sculptures of hers are transformed and become transcendental and mysterious with different intentions and associations each time.<\/p>\n\n \n <\/div>\n\n <\/div>\n <\/div>\n<\/section>\n\n

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ARTWORKS<\/h2> <\/header>\n\n
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01<\/div>
Photo Paris Tavitian<\/div>
\u00a9Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
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02<\/div>
Photo Paris Tavitian<\/div>
\u00a9Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
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03<\/div>
Photo Paris Tavitian<\/div>
\u00a9Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n <\/div>\n <\/div>\n
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01<\/div>
Photo Paris Tavitian<\/div>
\u00a9Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
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02<\/div>
Photo Paris Tavitian<\/div>
\u00a9Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
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03<\/div>
Photo Paris Tavitian<\/div>
\u00a9Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n <\/div>\n
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