{"id":93543,"date":"2026-06-16T17:05:19","date_gmt":"2026-06-16T14:05:19","guid":{"rendered":"https:\/\/cycladic.gr\/?post_type=event&p=93543"},"modified":"2026-06-16T17:05:23","modified_gmt":"2026-06-16T14:05:23","slug":"gallery-walk-in-piraeus","status":"publish","type":"event","link":"https:\/\/cycladic.gr\/en\/draseis\/gallery-walk-in-piraeus\/","title":{"rendered":"Gallery Walk in Piraeus"},"content":{"rendered":"
\n
\n

Gallery Walk in Piraeus<\/h1>

YOUNG FRIENDS<\/p>

JUNE 13, 2026<\/p><\/header>

\n
\n \"\"\n <\/figure>\n \n <\/div>\n\n \n <\/section>\n\n\n\n\n
\n \n
\n
\n
\n \n
\n The Young Friends participate in an exclusive gallery walk in Piraeus. The walk began at Oven Roastery, followed by visits to the galleries Ramiken, Sylvia Kouvali and The Intermission.\n <\/div>\n \n \n<\/div>\n\n <\/div>\n
\n
\n

The Young Friends gallery walk began from the Ramiken Gallery, which was presenting Crucible, a solo exhibition by French artist Thomas Cap de Ville. Through dense, altar-like installations composed of accumulated objects, ephemeral materials, and personal narratives, Cap de Ville explores themes such as adolescence, memory, and counterculture.
\nThe group then visited Sylvia Kouvali Gallery, where the exhibition cycle Cundu Luna Vini: The Producers was on view through two simultaneous presentations. In the main hall, Michael Kleine re-conceived the architecture of the gallery through the exhibition Enfilade, an exhibition in which sculptural objects sourced from personal archives and theatre storages functioned integrated into the environment as atmospheric regulators, dependent on light to acquire meaning. Meanwhile, in the studiolo, three texts by Efthimis Filippou sketched a very personal web of people.
\nThe gallery walk concluded at The Intermission with Lotteria, Henry Curchod\u2019s first solo exhibition in Piraeus. The exhibition presented an fictional yet plausible restaurant world, where painting, food, and fantasy merged within a playful, unstable, and alive with narrative potential visual language, through works that moved fluidly between figuration and abstraction.<\/p>\n\n \n <\/div>\n\n <\/div>\n <\/div>\n<\/section>\n\n

\n
\n

IMAGES<\/h2> <\/header>\n\n
\n
<\/div>\n
\n
\n
\n
\n \"\"\n <\/figure>\n
\n
01<\/div>
Photograph: George Labropoulos \u00a9 Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
\n
\n \"\"\n <\/figure>\n
\n
02<\/div>
Photograph: George Labropoulos \u00a9 Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
\n
\n \"\"\n <\/figure>\n
\n
03<\/div>
Photograph: George Labropoulos \u00a9 Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
\n
\n \"\"\n <\/figure>\n
\n
04<\/div>
Photograph: George Labropoulos \u00a9 Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
\n
\n \"\"\n <\/figure>\n
\n
05<\/div>
Photograph: George Labropoulos \u00a9 Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
\n
\n \"\"\n <\/figure>\n
\n
06<\/div>
Photograph: George Labropoulos \u00a9 Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
\n
\n \"\"\n <\/figure>\n
\n
07<\/div>
Photograph: George Labropoulos \u00a9 Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
\n
\n \"\"\n <\/figure>\n
\n
08<\/div>
Photograph: George Labropoulos \u00a9 Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
\n
\n \"\"\n <\/figure>\n
\n
09<\/div>
Photograph: George Labropoulos \u00a9 Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
\n
\n \"\"\n <\/figure>\n
\n
10<\/div>
Photograph: George Labropoulos \u00a9 Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
\n
\n \"\"\n <\/figure>\n
\n
11<\/div>
Photograph: George Labropoulos \u00a9 Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
\n
\n \"\"\n <\/figure>\n
\n
12<\/div>
Photograph: George Labropoulos \u00a9 Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n <\/div>\n <\/div>\n
\n
\n
\n
\n
01<\/div>
Photograph: George Labropoulos \u00a9 Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
\n
\n
02<\/div>
Photograph: George Labropoulos \u00a9 Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
\n
\n
03<\/div>
Photograph: George Labropoulos \u00a9 Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
\n
\n
04<\/div>
Photograph: George Labropoulos \u00a9 Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
\n
\n
05<\/div>
Photograph: George Labropoulos \u00a9 Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
\n
\n
06<\/div>
Photograph: George Labropoulos \u00a9 Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
\n
\n
07<\/div>
Photograph: George Labropoulos \u00a9 Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
\n
\n
08<\/div>
Photograph: George Labropoulos \u00a9 Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
\n
\n
09<\/div>
Photograph: George Labropoulos \u00a9 Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
\n
\n
10<\/div>
Photograph: George Labropoulos \u00a9 Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
\n
\n
11<\/div>
Photograph: George Labropoulos \u00a9 Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n
\n
\n
12<\/div>
Photograph: George Labropoulos \u00a9 Museum of Cycladic Art<\/div><\/div>\n\n <\/div>\n\n <\/div>\n
\n