{"id":91221,"date":"2026-04-01T16:15:23","date_gmt":"2026-04-01T13:15:23","guid":{"rendered":"https:\/\/cycladic.gr\/?post_type=event&p=91221"},"modified":"2026-04-01T16:46:06","modified_gmt":"2026-04-01T13:46:06","slug":"private-guided-tour-of-the-exhibition-you-are-invited","status":"publish","type":"event","link":"https:\/\/cycladic.gr\/en\/draseis\/private-guided-tour-of-the-exhibition-you-are-invited\/","title":{"rendered":"Private Guided Tour of the Exhibition “you are invited”"},"content":{"rendered":"
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Private Guided Tour of the Exhibition “you are invited”<\/h1>

YOUNG FRIENDS<\/p>

23 NOVEMBER, 2025<\/p><\/header>

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\n On Sunday, November 23, the Young Friends took part in a private guided tour of the exhibition \u201cyou are invited\u201d by photographer Juergen Teller at the new Onassis Ready space.\n <\/div>\n \n \n<\/div>\n\n <\/div>\n
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This mid-career survey presented various series, individual works, and numerous videos, combining Teller\u2019s selections from previous exhibitions and portfolios with new, unpublished images from the 1990s to the present, including iconic images (such as his portraits of Iggy Pop, Kate Moss and Charlotte Rampling), still lifes and family portraits. This solo exhibition encouraged retrospection between past and present work, celebrating Teller\u2019s re-energized perspective and forming an active dialogue that acknowledged the shifting modes of exploration in his creative journey.<\/p>\n

While Teller had always made personal work, this exhibition demonstrated a new sense of purpose triggered by recent projects, such as photographing Pope Francis in a women\u2019s prison during the 2024 Venice Biennale and his invitation to photograph Auschwitz for the 80th anniversary of its liberation earlier that year. In addition to such public commissions, over the previous eight years, Teller had collaborated with his wife, Dovile Drizyte, on projects that reflected various aspects of their relationship and the birth of their daughter. These works were defined by a characteristic mixture of serious, intimate, yet often humorous figures, shaped by an aesthetic that approached the grotesque.<\/p>\n\n \n <\/div>\n\n <\/div>\n <\/div>\n<\/section>\n\n

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IMAGES<\/h2> <\/header>\n\n
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Photograph Pinelopi Gerasimou \u00a9 Onassis Foundation<\/div><\/div>\n\n <\/div>\n\n
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Photograph Margarita Yoko Nikitaki \u00a9 Onassis Foundation<\/div><\/div>\n\n <\/div>\n\n
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Photograph Pinelopi Gerasimou \u00a9 Onassis Foundation<\/div><\/div>\n\n <\/div>\n\n
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04<\/div>
Photograph Pinelopi Gerasimou \u00a9 Onassis Foundation<\/div><\/div>\n\n <\/div>\n\n <\/div>\n <\/div>\n
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01<\/div>
Photograph Pinelopi Gerasimou \u00a9 Onassis Foundation<\/div><\/div>\n\n <\/div>\n\n
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02<\/div>
Photograph Margarita Yoko Nikitaki \u00a9 Onassis Foundation<\/div><\/div>\n\n <\/div>\n\n
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03<\/div>
Photograph Pinelopi Gerasimou \u00a9 Onassis Foundation<\/div><\/div>\n\n <\/div>\n\n
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04<\/div>
Photograph Pinelopi Gerasimou \u00a9 Onassis Foundation<\/div><\/div>\n\n <\/div>\n\n <\/div>\n
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