{"id":25825,"date":"2023-06-26T09:17:51","date_gmt":"2023-06-26T07:17:51","guid":{"rendered":"https:\/\/beta.cycladic.gr\/essay\/%ce%b5%cf%81%ce%b3%ce%b1%ce%bb%ce%b5%ce%af%ce%b1-%cf%84%ce%bf%cf%85-%ce%ba%cf%85%ce%ba%ce%bb%ce%b1%ce%b4%ce%b9%ce%ba%ce%bf%cf%8d-%cf%80%ce%bf%ce%bb%ce%b9%cf%84%ce%b9%cf%83%ce%bc%ce%bf%cf%8d\/"},"modified":"2023-11-08T14:35:08","modified_gmt":"2023-11-08T12:35:08","slug":"ergaleia-tou-kykladikou-politismou","status":"publish","type":"essay","link":"https:\/\/cycladic.gr\/en\/essay\/ergaleia-tou-kykladikou-politismou\/","title":{"rendered":"Tools of the Cycladic Culture"},"content":{"rendered":"<section class=\"section HeaderBlock \">\n  <header>\n  <h1 class=\"title\">Tools of the Cycladic Culture<\/h1>  <p class=\"data\">CYCLADIC CULTURE<\/p>  <\/header>          <div \n      class=\"imgWithCaption card  \" \n          >\n        <figure class=\"image ratio-L_21-9\">\n              <img decoding=\"async\" src=\"https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/ng0225_1-scaled.jpg\" alt=\"\" srcset=\"https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/ng0225_1-300x200.jpg 300w, https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/ng0225_1-1024x683.jpg 1024w, https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/ng0225_1-768x512.jpg 768w, https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/ng0225_1-1536x1024.jpg 1536w, https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/ng0225_1-2048x1365.jpg 2048w, https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/ng0225_1-600x400.jpg 600w\" sizes=\"100vw\" \/>\n          <\/figure>\n        \n  <\/div>\n\n  \n  <\/section>\n\n\n\n\n<section class=\"section ContentBlock\"  id=\"types-of-tools\" >\n  <header class=\"blockheader\">\n  <h2 class=\"title\">TYPES OF TOOLS<\/h2>  <\/header>\n\n    \n  <div class=\"main \">\n    <div class=\"left sticky\">\n              <div class=\"contentSidebar\">\n  \n    <div class=\"textSidebar\">\n    Although no direct evidence is available for the tools that were used by Cycladic marble craftsman, modern research, in combination with experimental archaeology, has shown that most tools were probably made of stone, most specifically emery. \n  <\/div>\n    \n   \n<\/div>\n\n          <\/div>\n    <div class=\"right \">\n                         <div class=\"mainText\">\n<p>A piece of this heavy and dense stone\u2013which is commonly found on Naxos\u2013can be easily turned into a mallet (for shaping the figure) simply by making its edge pointed or sharp.<\/p>\n<p>Emery was also probably used for drills (to carve and pierce specific anatomical details such as the eye, ear, navel, and loin cavities, or repair holes), for engraving tools (for incised details), or even for surface polishing, since emery powder was an effective abrasive for the initial working of the marble.<\/p>\n\n  <!-- Rich Text Editor Start -->\n  <\/div>\n\n                  <\/div>\n  <\/div>\n<\/section>\n\n\n<section class=\"section ContentBlock\" >\n    \n  <div class=\"main mobileFirst\">\n    <div class=\"left \">\n                        <div class=\"mainText\">\n<p>Obsidian\u2013widely available on Melos\u2013and flint may have also been employed in marble carving. When shaped into blades (or flakes, which were created by striking a flint or obsidian core with another stone at a specific angle to break off an incredibly sharp and thin blade), these materials could be used as engraving tools or for reducing the smoothness of a marble surface. Then, in the final stage, Theran pumice soaked in water was an excellent material for polishing the surface of the sculpture. Sand mixed with water also worked well for this step.<\/p>\n<p>Regarding metal tools, bronze chisels were often used in stone carving and carpentry, but they also might have been used for working with other materials. However, their poor durability (due to the high copper content), along with the high cost of metals during the period, probably made metal stone-working tools less practical and, therefore, less common.<\/p>\n\n  <!-- Rich Text Editor Start -->\n  <\/div>\n\n                  <\/div>\n    <div class=\"right sticky\">\n              <div class=\"contentSidebar\">\n      <div \n      class=\"imgWithCaption card  \" \n          >\n        <figure class=\"image ratio-1-1\">\n              <img decoding=\"async\" src=\"https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/\u03b5\u03b9\u03ba.2_\u039d\u03930224-\u039d\u03930976-\u039d\u03930298-\u039d\u03930225-scaled.jpg\" alt=\"\" srcset=\"https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/\u03b5\u03b9\u03ba.2_\u039d\u03930224-\u039d\u03930976-\u039d\u03930298-\u039d\u03930225-249x300.jpg 249w, https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/\u03b5\u03b9\u03ba.2_\u039d\u03930224-\u039d\u03930976-\u039d\u03930298-\u039d\u03930225-851x1024.jpg 851w, https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/\u03b5\u03b9\u03ba.2_\u039d\u03930224-\u039d\u03930976-\u039d\u03930298-\u039d\u03930225-768x924.jpg 768w, https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/\u03b5\u03b9\u03ba.2_\u039d\u03930224-\u039d\u03930976-\u039d\u03930298-\u039d\u03930225-1277x1536.jpg 1277w, https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/\u03b5\u03b9\u03ba.2_\u039d\u03930224-\u039d\u03930976-\u039d\u03930298-\u039d\u03930225-1702x2048.jpg 1702w, https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/\u03b5\u03b9\u03ba.2_\u039d\u03930224-\u039d\u03930976-\u039d\u03930298-\u039d\u03930225-600x722.jpg 600w\"  \/>\n          <\/figure>\n        <div class=\"info\">\n    <div class=\"caption\">Bronze tools (chisel, tweezers, spatula-awl, hammer-axe)\n2700 \u2013 2400\/2300 BC\n\u039d\u03930224, \u039d\u03930976, \u039d\u03930298, \u039d\u03930225<\/div>  <div class=\"text\">\u00a9 Museum of Cycladic Art<\/div><\/div>\n\n  <\/div>\n\n    \n   \n<\/div>\n\n          <\/div>\n  <\/div>\n<\/section>\n\n<section class=\"section ContentBlock\">\n    <div class=\"Video\">\n      <div class=\"fluid-width-video-wrapper\">\n  <iframe loading=\"lazy\" title=\"\u03a7\u0391\u039b\u039a\u0399\u039d\u0391 \u039f\u03a0\u039b\u0391 &amp; \u0395\u03a1\u0393\u0391\u039b\u0395\u0399\u0391 | \u0395\u039b\u039b\u0397\u039d\u0399\u039a\u0397 \u039d\u039f\u0397\u039c\u0391\u03a4\u0399\u039a\u0397 \u0393\u039b\u03a9\u03a3\u03a3\u0391\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/KnohZh9aqe4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div>\n\n  <\/div>\n<\/section>\n\n\n\n\n<section class=\"section ContentBlock\"  id=\"stages-of-figurine-manufacture\" >\n  <header class=\"blockheader\">\n  <h2 class=\"title\">STAGES OF FIGURINE MANUFACTURE<\/h2>  <\/header>\n\n    \n  <div class=\"main \">\n    <div class=\"left sticky\">\n              <div class=\"contentSidebar\">\n      <div \n      class=\"imgWithCaption card  \" \n          >\n        <figure class=\"image ratio-1-1\">\n              <img decoding=\"async\" src=\"https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/4.png\" alt=\"\" srcset=\"https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/4-300x192.png 300w, https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/4-1024x655.png 1024w, https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/4-768x491.png 768w, https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/4-1536x983.png 1536w, https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/4-600x384.png 600w, https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/4.png 2048w\"  \/>\n          <\/figure>\n        <div class=\"info\">\n    <div class=\"caption\">Figurine with traces of repair in antiquity\n3200 \u2013 2800 BC\n\u039d\u03930337<\/div>  <div class=\"text\">\u00a9 Museum o Cycladic Art<\/div><\/div>\n\n  <\/div>\n\n    \n   \n<\/div>\n\n          <\/div>\n    <div class=\"right \">\n                         <div class=\"mainText\">\n<p>As we can deduce from the few unfinished figurines that have been discovered so far, the first step of the sculpting process was to roughly shape the raw piece of marble into a figure by striking it with a mallet. Then, emery powder was used to wear away the surface until it obtained the desired shape and size. Once this was achieved, the surface was carefully smoothed before the craftsman began the delicate work of carving the details.<\/p>\n<p>In the end, the figurine was polished to a degree that is still considered incredible by modern standards. Evidence of horizontal, vertical or diagonal smoothing is often visible on the surface of marble figurines and, sometimes, we can see the marks left by the tools used to level the contours of the leg cleft on \u201ccanonical\u201d figurines. Traces of repairs are also discernible in some examples.<\/p>\n\n  <!-- Rich Text Editor Start -->\n  <\/div>\n\n                  <\/div>\n  <\/div>\n<\/section>\n\n\n<section class=\"section ContentBlock\"  id=\"artists-of-figurines\" >\n  <header class=\"blockheader\">\n  <h2 class=\"title\">\u201cARTISTS\u201d OF FIGURINES<\/h2>  <\/header>\n\n    \n  <div class=\"main \">\n    <div class=\"left sticky\">\n              <div class=\"contentSidebar\">\n      <div \n      class=\"imgWithCaption card  \" \n          >\n        <figure class=\"image ratio-L_3-2\">\n              <img decoding=\"async\" src=\"https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/\u03b5\u03b9\u03ba.3\u03b2_\u039a\u03b1\u03bb\u03bb\u03b9\u03c4\u03ad\u03c7\u03bd\u03b7\u03c2-\u0393\u03bf\u03c5\u03bb\u03b1\u03bd\u03b4\u03c1\u03ae.jpg\" alt=\"\" srcset=\"https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/\u03b5\u03b9\u03ba.3\u03b2_\u039a\u03b1\u03bb\u03bb\u03b9\u03c4\u03ad\u03c7\u03bd\u03b7\u03c2-\u0393\u03bf\u03c5\u03bb\u03b1\u03bd\u03b4\u03c1\u03ae-300x184.jpg 300w, https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/\u03b5\u03b9\u03ba.3\u03b2_\u039a\u03b1\u03bb\u03bb\u03b9\u03c4\u03ad\u03c7\u03bd\u03b7\u03c2-\u0393\u03bf\u03c5\u03bb\u03b1\u03bd\u03b4\u03c1\u03ae-1024x626.jpg 1024w, https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/\u03b5\u03b9\u03ba.3\u03b2_\u039a\u03b1\u03bb\u03bb\u03b9\u03c4\u03ad\u03c7\u03bd\u03b7\u03c2-\u0393\u03bf\u03c5\u03bb\u03b1\u03bd\u03b4\u03c1\u03ae-768x470.jpg 768w, https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/\u03b5\u03b9\u03ba.3\u03b2_\u039a\u03b1\u03bb\u03bb\u03b9\u03c4\u03ad\u03c7\u03bd\u03b7\u03c2-\u0393\u03bf\u03c5\u03bb\u03b1\u03bd\u03b4\u03c1\u03ae-600x367.jpg 600w, https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/\u03b5\u03b9\u03ba.3\u03b2_\u039a\u03b1\u03bb\u03bb\u03b9\u03c4\u03ad\u03c7\u03bd\u03b7\u03c2-\u0393\u03bf\u03c5\u03bb\u03b1\u03bd\u03b4\u03c1\u03ae.jpg 1280w\"  \/>\n          <\/figure>\n        <div class=\"info\">\n    <div class=\"caption\">Marble figurines attributed to the \u201cGoulandris Master\u201d\n2700 \u2013 2400\/2300 BC\n\u039d\u03930256, \u039d\u03930281, \u039d\u03930251<\/div>  <div class=\"text\">\u00a9 Museum of Cycladic Art<\/div><\/div>\n\n  <\/div>\n\n    \n   \n<\/div>\n\n          <\/div>\n    <div class=\"right \">\n                         <div class=\"mainText\">\n<p>The creation of a Cycladic figurine was accomplished with reference to a strict set of rules and a detailed system of proportions, which required precise measurements and considerable skill to apply. Therefore, it was most likely the work of specialized craftsmen, who probably passed on their knowledge to younger artisans only after the latter had spent a significant period of time working as their apprentice. Some scholars have attempted to identify individual \u201cartists\u201d or workshops by distinguishing groups of figurines with similar characteristics. Those \u201cartists\u201d (or workshops) have been traditionally named after the museum or the city which hosts characteristic works by them, after the excavator who brought them to light, or after the collector who possesses them (e.g. the Berlin Master, the Doumas Master, the Goulandris Master, etc.).<\/p>\n<p>Other scholars, however, reject these attributions as misleading, and believe that any perceived similarities are the result of chronological or geographical proximity. We should keep in mind that the available evidence for the techniques employed in Cycladic marble-carving is very fragmentary, and that our knowledge stems almost exclusively from careful observations of the figurines themselves. The archaeological evidence from the marble workshop found in the so-called \u201cBuilding of the Figurines\u201d in the settlement of Skarkos on Ios island, which helps us understand the organization of the production of marble figurines, is particularly important in this regard.<\/p>\n\n  <!-- Rich Text Editor Start -->\n  <\/div>\n\n                  <\/div>\n  <\/div>\n<\/section>\n\n\n<section class=\"section ContentBlock\"  id=\"copper-processing\" >\n  <header class=\"blockheader\">\n  <h2 class=\"title\">COPPER PROCESSING<\/h2>  <\/header>\n\n    \n  <div class=\"main mobileFirst\">\n    <div class=\"left \">\n                        <div class=\"mainText\">\n<p>Direct evidence of bronze-working in the Cyclades is limited but telling. Archaeologists have found the remains of hearths and crucibles from the Early Cycladic III period at Kastri on Syros, alongside pieces of slag (which are created when hot or molten metal lands on the ground and cools in the soil) and stone moulds. These pieces of evidence show that metal smiths knew how to cast bronze and produced both cast and hammered objects. Metallurgical workshops, a large number of copper objects, as well as residues of metal processing came to light at the settlement of Dhaskalio. The spread of metallurgy in the Aegean during the third millennium BC inspired crafts such as building, shipbuilding, carpentry, and the minor arts. At the same time, it promoted trade and contributed to the development of social stratification (i.e., hierarchy).<\/p>\n<p>Mainly, however, it brought about significant advancements in warfare tactics. Bronze weapons became relatively common in the Cyclades in the later stages of the Early Cycladic II period, which seems to be related to the social disturbances and upheavals that archaeologists have observed in the Aegean during the transition into the Early Cycladic III period. According to one theory, this turmoil was due to conflicts between local populations over access to raw materials, such as copper, or access to networks trafficking metals that were more difficult to obtain, such as tin.<\/p>\n\n  <!-- Rich Text Editor Start -->\n  <\/div>\n\n                  <\/div>\n    <div class=\"right sticky\">\n              <div class=\"contentSidebar\">\n      <div \n      class=\"imgWithCaption card  \" \n          >\n        <figure class=\"image ratio-L_2-1\">\n              <img decoding=\"async\" src=\"https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/\u03b5\u03b9\u03ba.4_\u039c\u03ae\u03c4\u03c1\u03b5\u03c2-\u03bc\u03b5\u03c4\u03ac\u03bb\u03bb\u03b9\u03bd\u03c9\u03bd-\u03b1\u03bd\u03c4\u03b9\u03ba\u03b5\u03b9\u03bc\u03ad\u03bd\u03c9\u03bd-1.jpg\" alt=\"\" srcset=\"https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/\u03b5\u03b9\u03ba.4_\u039c\u03ae\u03c4\u03c1\u03b5\u03c2-\u03bc\u03b5\u03c4\u03ac\u03bb\u03bb\u03b9\u03bd\u03c9\u03bd-\u03b1\u03bd\u03c4\u03b9\u03ba\u03b5\u03b9\u03bc\u03ad\u03bd\u03c9\u03bd-1-300x183.jpg 300w, https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/\u03b5\u03b9\u03ba.4_\u039c\u03ae\u03c4\u03c1\u03b5\u03c2-\u03bc\u03b5\u03c4\u03ac\u03bb\u03bb\u03b9\u03bd\u03c9\u03bd-\u03b1\u03bd\u03c4\u03b9\u03ba\u03b5\u03b9\u03bc\u03ad\u03bd\u03c9\u03bd-1-768x470.jpg 768w, https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/\u03b5\u03b9\u03ba.4_\u039c\u03ae\u03c4\u03c1\u03b5\u03c2-\u03bc\u03b5\u03c4\u03ac\u03bb\u03bb\u03b9\u03bd\u03c9\u03bd-\u03b1\u03bd\u03c4\u03b9\u03ba\u03b5\u03b9\u03bc\u03ad\u03bd\u03c9\u03bd-1-600x367.jpg 600w, https:\/\/cycladic.gr\/wp-content\/uploads\/2023\/06\/\u03b5\u03b9\u03ba.4_\u039c\u03ae\u03c4\u03c1\u03b5\u03c2-\u03bc\u03b5\u03c4\u03ac\u03bb\u03bb\u03b9\u03bd\u03c9\u03bd-\u03b1\u03bd\u03c4\u03b9\u03ba\u03b5\u03b9\u03bc\u03ad\u03bd\u03c9\u03bd-1.jpg 1014w\"  \/>\n          <\/figure>\n        <div class=\"info\">\n    <div class=\"caption\">Moulds of metal objects<\/div>  <div class=\"text\">From: R.L.N. Barber, The Cyclades In the Bronze Age, London, 1987), 111 fig. 87\u02d9 see also: N.C. Stampolidis, P. Sotirakopoulou, <i>Aegean Waves. Artworks of the Early Cycladic Culture in the Museum of Cycladic Art at Athens<\/i>, Athens, 2007, 52 fig. 56<\/div><\/div>\n\n  <\/div>\n\n    \n   \n<\/div>\n\n          <\/div>\n  <\/div>\n<\/section>","protected":false},"excerpt":{"rendered":"","protected":false},"author":18413,"featured_media":0,"template":"","essay_culture_category":[1145],"essay_topic_category":[1146,1147],"class_list":["post-25825","essay","type-essay","status-publish","hentry","essay_culture_category-cycladic-art-en","essay_topic_category-culture-en","essay_topic_category-art-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Tools of the Cycladic Culture - Museum of Cycladic Art<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cycladic.gr\/en\/essay\/ergaleia-tou-kykladikou-politismou\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tools of the Cycladic Culture - 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