OI ΦΙΛΟΣΟΦΟΙ ΚΑΙ Ο ΕΡΩΤΑΣ

BOOKS FOR ADULTS

The essential illustrated guide to the gods and goddesses of ancient Greece and Rome, vividly retelling their stories and exploring their origins.Who were the gods and goddesses of ancient Greece and Rome? What did they mean to the people who worshipped them? Although their time of widespread worship has long passed, the Greek and Roman gods have fascinated and inspired writers and artists for millennia. From Aphrodite to Apollo, Poseidon to Zeus, these are some of the most recognizable characters in Western culture, yet there is a much richer past behind famous paintings of the birth of Aphrodite or the bold iconography of Zeus and his thunderbolts.The Greek and Roman gods are enthralling characters in the enduringly powerful Iliad, Odyssey and Metamorphoses. They are immortal and powerful yet also vain, vindictive and vulnerable. Moreover, as manifestations of death, fertility, love and war, the gods are also our key to understanding how the Greeks and Romans saw their world. Philip Matyszak presents this pantheon in all their complexity, guiding us from Mount Olympus to the depths of Hades. Each chapter focuses on an individual god or goddess, beginning with their ‘biography’ as understood by the Greeks and Romans and exploring the origins of the legends. Matyszak mixes history with vivid retellings of the myths in which the gods have a starring role, from stories of cosmic creation and universal war to disastrous weddings and freak discus accidents. This sumptuously illustrated guide to the gods of Greece and Rome is a must-have for anyone interested in mythology and classical civilization.

JOURNAUX DE VOYAGE | GREEK EDITION

A handbook of new curatorial strategies based on pioneering examples of curators working to offset racial and gender disparities in the art world.Current art world statistics demonstrate that the fight for gender and race equality in the art world is far from over: only sixteen percent of this year’s Venice Biennale artists were female; only fourteen percent of the work displayed at MoMA in 2016 was by nonwhite artists; only a third of artists represented by U.S. galleries are female, but over two-thirds of students enrolled in art and art-history programs are young women.Arranged in thematic sections focusing on feminism, race, and sexuality, Curatorial Activism examines and illustrates pioneering examples of exhibitions that have broken down boundaries and demonstrated that new approaches are possible, from Linda Nochlin’s “Women Artists” at LACMA in the mid-1970s to Jean-Hubert Martin’s “Carambolages” in 2016 at the Grand Palais in Paris. Profiles key exhibitions by pioneering curators including Okwui Enwezor, Linda Nochlin, Jean-Hubert Martin and Nan Goldin, with a foreword by Lucy Lippard, internationally known art critic, activist and curator, and early champion of feminist art, this volume is both an invaluable source of practical information for those who understand that institutions must be a driving force in this area and a vital source of inspiration for today’s expanding new generation of curators.

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